Image Credits

Homepage: detail of Anshutz Talking on Anatomy, 1912, by John Sloan. Purchased with funds donated by Frank and Lynne Lovejoy in memory of Suzanne Trimble Lovejoy, 89.43.

A Conversation: Vertumnus and Pomona, ca. 1640, by Govaert Flinck. Gift of Dr. and Mrs. Frank W. Lovejoy, Jr., 83.10.

The Creation of the 5QP: The Doctor’s Visit, ca. 1660, by Hendrick Heerschop. Marion Stratton Gould Fund, 46.35.

Questions 1-5: Susan Dodge-Peters Daiss facilitating the 5QP with a group in the 18th-century gallery. Group is focused on Vertumnus and Pomona, ca. 1640, by Govaert Flinck. Gift of Dr. and Mrs. Frank W. Lovejoy, Jr., 83.10.

Age: Study for “Balzac”, 1891-1892, by Auguste Rodin, R. T. Miller Fund, 55.14; Charles Gaspard Guillaume de Vintimille du Luc, Archbishop of Paris (1656-1746), 1731, by Hyacinthe Rigaud, Gift of the Women’s Council of the Memorial Art Gallery, 68.1; William H. Macdowell, ca. 1904, by Thomas Eakins, Marion Stratton Gould Fund, 41.26; Interlude, 1963, by John Koch, Gift of Mr. and Mrs. Thomas H. Hawks, 65.12.

Body Image: Study for “Balzac”, 1891-1892, by Auguste Rodin, R. T. Miller Fund, 55.14; Charles Gaspard Guillaume de Vintimille du Luc, Archbishop of Paris (1656-1746), 1731, by Hyacinthe Rigaud, Gift of the Women’s Council of the Memorial Art Gallery, 68.1; Toilette of Venus, 19th century, by Auguste Rodin, Gift of Dr. and Mrs. Harold A. Stopp, 77.114; The Clown, 2010, by George Condo, Marion Stratton Gould Fund, 2014.64.

Disability: Roman Torso of a Young Man, 1st c. BCE, Ocumpaugh, Babcock, Dewey and Montgomery Funds, 36.53; Nydia, the Blind Flower Girl of Pompeii, after 1855, by Randolph Rogers, Marion Stratton Gould Fund, 93.24; The Clown, 2010, by George Condo, Marion Stratton Gould Fund, 2014.64; Torso of a Young Woman, 1909 (cast 1961), by Auguste Rodin, Marion Stratton Gould Fund, 62.58; Unknown American portrait of Colonel Nathaniel Rochester, before 1831, Gift of Thomas J. Watson, 34.1; Leda and the Dwarf, 1965, by Honore Sharrer, Gift of the American Academy and Institute of Arts and Letters, Hassam and Speicher Purchase Fund, 79.40.

Gender: Bar Scene, 1942, by Douglas Warner Gorsline, Art Patrons’ Purchase Award, 1942 Rochester-Finger Lakes Exhibition, 42.19; Peeling Onions, ca. 1852, by Lilly Martin Spencer, Gift of the Women’s Council in celebration of the 75th anniversary of the Memorial Art Gallery, 88.6; Bacchante and Female Satyr, 18th c., by Claude Michel (Clodion), Gift of Dr. and Mrs. James V. Aquavella, 69.28; People’s Follies No. 3, 1938, by Reginald Marsh, Marion Stratton Gould Fund, 43.1.

Race: Shooting Flamingoes, 1857, by George Catlin, R. T. Miller Fund, 1941, transferred to Marion Stratton Gould Fund, 1949, 41.25; The Indian Hunter, 1846, by DeWitt Clinton Boutelle, Marion Stratton Gould Fund, 84.47; After Memling’s Portrait of a Man with a Letter, 2013, by Kehinde Wiley, Marion Stratton Gould Fund, 2013.79; Three Fujins, 1995, by Hung Liu, Gift of Gerald and Ellen Sigal and Marion Stratton Gould Fund, 2015.10; The 7 Yard, 2011, by Daze, Marion Stratton Gould Fund, 2016.180; Portrait of Qusuquzah #6, 2015, by Mickalene Thomas, Marion Stratton Gould Fund, 2015.1.

Religious Traditions: North Indian Calligraphic Frieze, 16th c., The Marie Adelaide Devine Fund, 2009.8; German Hanukkah Menorah (Hannukiah), ca. 1800, Maurice R. and Maxine B. Forman Fund, 2006.52; Indian sculpture of The God Surya, Gupta Period, ca. 600, R.T. Miller Fund, 82.48; Chinese Bodhisattva Guanyin on Mount Potala, Southern Song Dynasty, early 13th c., R. T. Miller Fund, 42.21; Crucifixion with God the Father, ca. 1375-1380, by Giovanni del Biondo, Marion Stratton Gould Fund, 51.26.

Socio-economic Status: Tavern Scene, 1680, by David Teniers the Younger, Bertha Buswell Bequest, 55.70; Bread and Butter, 19th c., by Albert Neuhuys, George Eastman Collection of the University of Rochester, 73.148; Sunday Morning, 1907, by Jerome Myers, Marion Stratton Gould Fund, 98.74; Non-Fiction, 1943, by Robert Gwathmey, Marion Stratton Gould Fund, 51.7; Portrait of a Boy of the Bracciforte Family of Piacenza, ca. 1560, by Girolamo Mazzola Bedoli, Marion Stratton Gould Fund, 76.13; At Court (Au Tribunal), ca. 1900, by Jean Louis Forain, Purchase and Sales Fund, 54.1; The Pancake Woman, ca. 1661-1669, by Jan Steen, Bertha Buswell Bequest, 55.71.

Looking at Bar Scene: Bar Scene, 1942, by Douglas Warner Gorsline, Art Patrons’ Purchase Award, 1942 Rochester-Finger Lakes Exhibition, 42.19.

Interactive: Interlude, 1963, by John Koch. Gift of Mr. and Mrs. Thomas H. Hawks,  65.12